Writing Alien Son

Like my other books, Alien Son is science fiction, with more than a hint of romance.

It’s set in the same world as Saving Aran, and those of you who have read that book will recognize some of the characters. You may remember that there was a mystery in Saving Aran that was not resolved in that book: How can it be that there are humans on both Earth and Aran? These are people so genetically similar that they can interbreed. The odds they would evolve independently on two planets light-years apart are miniscule, like the odds that simple Brownian motion would suddenly lift your entire desk up into the air. Yet, though scientists have searched both planets for any archaeological or other evidence of any kind of alien contact in the past, there is nothing that can explain the existence of these two entirely separate human populations.

There’s also an unresolved personal mystery in Saving Aran. Cort’s father is no longer around. His mother tells him his father “went to Earth.” Does she mean that literally, that he somehow managed to get aboard one of the Earthers’ starships and literally fly to planet Earth? In the slang of the city where Cort grew up, the phrase “went to Earth” is a euphemism for dying. It seems more likely his father died than somehow managed to get to Earth. In the khenaran–the ancient forest–those who die are reborn, but the wise whynywir, who know everything about the planet, have no information about Cort’s father. Is it possible he really did fly to Earth?

Alien Son answers both of these questions. And way more, besides. Best of all, there’s no need to read Saving Aran first. Instead, you can read Alien Son first as a completely stand-alone book, and then later, if you wish, enjoy Cort’s back story.

In Alien Son, we meet Mikel, half Earther and half Arantu, the much-younger son of Cort’s father. The son born on Earth with an Earther mother. The son who is driven to pursue some great accomplishment in his life that will be worthy of his martyr father’s heroic efforts to save Aran from Earther exploitation.

We also meet Aiana, a historian from the far-distant future, who is using time travel based on technology-enhanced lucid dreaming to seek out a historically significant personage from Earth’s past (as she sees it). She finds Mikel on Aran. He’s the one she is looking for, but he has no intention of returning to Earth. Yet he must, for history has already been written. How can she get him to fulfill his destiny, even if it means his death? Worse, her dreaming self is getting harder to control. She’s falling in love with the man.

Time travel, it turns out, is incredibly hard to write. My future could be your past, and both of these might be different from an objectively drawn timeline. There is a very large time loop in Alien Son, spanning millennia of objective time. At any point in the story, the two protagonists know very different things because they’ve been in different objective times at different subjective times.

Finally, I had to draw a flowchart to keep it all straight, and to make sure the time-twisted story is actually self-consistent. I’ve shown this flowchart to a few people, but never publicly, not until now. You are seeing it first, here.

Spoiler alert! If you prefer to enjoy your surprises in the twists and turns of the book, scroll down no further! You can buy the book (or read for free on Kindle Unlimited) here.

Alien Son time loop

Blown away by waterlilies!

Of course I’ve always liked waterlilies. Who wouldn’t? But now I think I understand Monet’s fascination with them. The waterlilies at Villa Taranto are heavenly!

These lily pads, genus Victoria Cruziana, are native to the Amazon, were maybe six feet across, the largest members of the water lily family. Someone neglected to tell those flowers that they were supposed to be blooming in June and July, not now. No complaints, though, we were glad that some were still blooming.

Other waterlilies occupied outdoor pools, looking for all the world like they were waiting for Monet to come along and paint them.

Villa Taranto

When you’re in a place for only a few days… a place where you could stay for weeks and still not see and do everything you might want to… you have to be picky. Villa Taranto was not on our list. Not that we didn’t want to go. Of course we did. But we intended to go to the Borromeo islands, which have their own amazing gardens, and, well, I didn’t want to lay too many gardens, one after another after another, on my patient husband. But the host at our hotel insisted that Villa Taranto was worth the journey and could be easily combined with a short drive to Orta San Giulio, one of (she said) Italy’s most beautiful towns.

So, we went. And we’re glad we did. Villa Taranto could be the most beautiful garden we’ve ever seen. That’s true, even though the day we went there was rainy.

I’m trying not to overload you with pictures here, so I’ve tried to leave out pictures of individual specimens. That last one–that single, lovely tree–is a Cornus Controversa ‘Variegata,’ in the same family as the more familiar dogwoods. It was too good not to include. And, oh, the dahlias! Here are a couple.

I wanted to say that I’ve saved the best for last, but the fact is, it’s all so good there is no ‘best.’ Instead, let me put it this way: I have so many lovely photos of gorgeous waterlilies that they will need a post of their own.

Ciao, till soon!

Needs no translation…

Sign seen in the restaurant last night:

MENO INTERNET
PIU CABERNET
ANONIMO
(SCRITTO SU UN MURO)

I’d trade a bit less internet for a bit more cabernet indeed!

And the restaurant? La Piola Sabauda: vino e cucina del piemonte dal 1966. It’s heartwarmingly authentic with an incredible wine list of Italian wines. One of the most unusual (and good!) meals we’ve ever had–but it was tricky. We had three of the only four items on the menu that have no mammal meat (cows, pigs, lambs, rabbits, etc.). This is definitely a restaurant for meat-eaters.

Possibly the most luxurious hotel room ever

Well, maybe the most luxurious in Turin, anyway.

All this, and it has a balcony, too! As nearly as I can tell, this one hotel room is about 1/4 the size of our entire home… Palazzo del Carretto. (Also, it comes with parking–an apparent necessity in this city.)

Now it’s time to go out and explore Turin!

Saving Aran, my newest book

I started writing Saving Aran about thirty years ago, and I’ve re-written it a few times since. It wasn’t my first book. I thought at the time that it was, in fact, my best book ever. I’d written maybe half a dozen YA books before it. Most of them starred a reality-shifter named Roderin, and all were enjoyed by my son, then in grade school, and some of his cousins–and not too many other people. I was too busy to publish. A mistake, I now see, but I was working fifty-hour weeks, including some travel, and raising two children. I didn’t want to take on a second job.

And honestly, I still don’t really want to be taking on this job of publishing. I want to keep writing new books, but I do also want to get this book into your hands and those of people everywhere who might enjoy a good science-fiction action adventure story.

Three images of the cover of Saving Aran, in a book, on an e-reader, and on a phone.

What’s it about?

It’s about perseverance and keeping promises. A city boy named Cort on the planet Aran whose best friend is abducted and sold to the aliens from Earth will stop at nothing to find and free her. When his first rescue attempt fails, he embarks on a journey to gain the skills and the help he needs to try again and succeed.

It’s about never giving up hope. Emprisoned on the aliens’ base, Cort’s friend Dilia continues to believe he will rescue her if he can. But maybe he can’t. Dilia girds herself to make the most of her time there. She learns much from the Earthers about the medicinal plants of Aran, while ever on the look-out for a way to escape.

Most of all, it’s about understanding that we are a part of a planetary ecosystem–a community larger than our neighborhoods and cities and even our nations. In Aran’s primeval forests, Cort begins having nightmares–the deep dreams of the trees that the aliens are destroying, upsetting the balance of life on the planet. And he will do what he must to protect them.

Is it really, finally finished?

Saving Aran has been through probably at least half a dozen re-writes, some of them substantial. It’s been edited and re-edited by my then-agent and still-friend Jim Frenkel. I think it’s really well done, a timeless story of biological and spiritual entanglement, and of love, completely worthy of the bold cover created by Deranged Doctor Design.

Here is a small excerpt from Saving Aran. Enjoy!

Between where they stood and the village, the forest opened up, and on a slight rise stood a man. He was of middle age, his black hair salted with grey. His vest was beaded in light and dark blue, and blue beads adorned the fringes of his dark pants. When he turned toward them, a blue crystal at his temple flashed in the sunlight. A seer!

The man stood straight and tall, his hands loosely holding a staff that extended from the ground to well above his head. Alternately rough and smooth, the staff had a slight bend as if it reached for something, and green leaves adorned a cluster of sprigs at its top. The wood of the staff gleamed in a rainbow of colors. It was the largest piece of worked khena wood Cort had ever seen.

Neder glanced at Cort, then nodded slightly as if acknowledging something someone had said to him. “It’s Tirei,” he said. “He’s the headman of my village, and a seer. He’s the one you’ll need to talk with about becoming a hunter.”

Neder set off down the hill. Cort followed him, his heart lifting, now that the end of his mission was finally in sight.

When they reached the older man, Neder introduced Cort. Tirei greeted him politely, and Cort managed a polite response, but he could barely tear his gaze from Tirei’s staff, which seemed to glow with a special light. Seen this close, it was even more remarkable than from a distance, dancing with sparks of an inner fire. His hand twitched with the desire to reach toward it.

“It is living wood,” Tirei said, following Cort’s gaze. “Would you like to touch it?”

‘Living wood’ was a good name for it. Colors and patterns swam like fish in its translucent grain. Cort didn’t trust himself to speak. He swallowed hard and nodded.

Tirei spread out his hands on the staff to open a large space between them. “Go ahead,” he said, with the kind of encouraging nod he might give to a small child trying something for the first time.

Cort stretched out his hand and took hold of the staff, then gasped in astonishment. The wood seemed alive in more ways than one. It was as if the staff had actively taken hold of his own hand. It was warm, and Cort could feel its strength. Vitality flowed down his arm and seemed to send sparks inward to his heart. He felt he had the power to do anything, to rescue Dilia, to succeed. His other arm felt weak by comparison, and so he placed his other hand on the staff just above the first. The feeling was utterly exhilarating.

“How do you ever put this staff down?” he said.

“It’s not difficult,” Tirei answered. Cort met the seer’s eyes. They were a soft, light brown, and his expression was filled with something serious, like sorrow or sympathy. “With the staff of the living wood comes great responsibility. Sometimes it’s good to put such responsibility aside.”

As had happened too often since he came to this forest, Cort failed to understand. His face must have betrayed his confusion, for the seer added, “While we hold this staff together, neither you nor I can lie to the other, and we will hold onto it until the staff lets us go. Now listen to me. I am Tirei-sunar of the clan of the hawk, instrument of the whynywir, seer, head of this village, and the father of five. I have lived here my entire life. Now tell me about yourself.”

“My name is Cort.” Cort felt terribly self-conscious. “I am city-born and clanless.” He lifted his chin slightly as he spoke, defying the seer to reject him. “I don’t live in the city anymore. I don’t know where I live. And, Tirei, even without the staff I wouldn’t have lied to you.”

Tirei nodded. “I know that—now. But without the staff, I wouldn’t have been sure. Now tell me about your name.”

“My name? But I already told you,” he said. “It’s Cort. I was named after my father.”

“But ‘Cort’ is not a forest name,” said the older man.

“No, I guess not. Why should it be? I’m not a forest person. His name was something else. Longer.”  Cort frowned, trying to get it just right. “Something like Cort-anaran—and so is mine. But no one wants to deal with a long name like that, so no one ever calls me that.”

The older man’s eyes went distant for a moment, as if he were considering something complicated. After a moment of silence, he asked, “Corodh-an-Aran?”

“What?” Cort tried to move his hands to a more comfortable position, but they were as stuck as if they had been glued to the staff.

“Could his name have been Corodh-an-Aran?”

“Yes, I guess that sounds about right. The way you forest people pronounce the old words is a bit different from how we say them in the city.”

“More correct,” said Tirei.

“I guess. Yes, probably; that would make sense.”

Corodh-an-Aran.” The older man drew out the syllables like a benediction.

“Does it mean anything to you?”

“You don’t know what it means?” 

“Should I?”

The seer sighed. “‘Corodh’ is a fine old word but it’s fallen out of common usage. You might say, ‘justice,’ but that’s not exactly right. It has the flavor of being what one is meant to be, doing what one is meant to do, having what one is meant to have. The rightness of things, and also setting things right. A good word. ‘An’ and ‘aran,’ you probably know. Of the forest, or for it. This whole world.”

“Setting things right for Aran? For our world?”  The idea pleased Cort. He stood a little straighter.

“Yes, that’s part of it. The forest being and having what she is meant to have. The one who makes sure that happens. Who sets things right for our world.”

Cort smiled. “I like that,” he said. Then, after thinking about it, he added, “Still, it’s only a name.”

“An ancient one,” said the seer. “A good one. And why have you come here, Cort?

“To become a hunter, like Neder.”

Tirei raised a quizzical eyebrow and glanced at Neder. Standing at Cort’s side, almost out of the range of his sight, the hunter nodded. “But why?” the seer asked.

“To save my friend Dilia, who is like a sister to me,” Cort replied. “More than a sister. My father and mother are dead. My home has been burned down. But Dilia is in the city or on the base somewhere, captive, and I intend to rescue her. It’ll be dangerous. I can’t do it alone. I’ll need a kiri.” He swallowed and added, “Probably no one’s ever hunted in the city before, but I intend to do it, and I’ll succeed, too. And—I didn’t know this at first, but now I do—when I’ve rescued Dilia, I want to bring her back here to the khenaran, and I still want to be a hunter then.”

“This will be decided by the whynywir,” said the seer.

It wasn’t quite a rejection, but it was far from the agreement Cort would have liked. “I understand that, but you’re a seer! You talk with them directly, so you must have some influence with them. Will you help me?”

Again Tirei exchanged glances with Neder. Then he gave Cort a slight, sad smile,  suddenly looking weary. “I will do what I feel is right for you, Cort-anaran. For you and for all of Aran.”

A Eulogy for My Mother

My mother passed away on October 7, 2020. She’d outlived all her friends, but she lived to see her four great-grandchildren. She was 101 years old.

It’s hard to explain to someone who didn’t know her, what a force of nature my mother was, but I’ve been writing about her in this blog, off and on, for years. You can begin to get an idea of what she was like by following this thread.

Never one to shirk a difficult task, my mother planned her own funeral and wrote her own obituary and her own eulogy. And that eulogy says more about her than I ever did, with all my blog posts. I would like to share it with you.

Say this of me: I loved life and mostly everything in it. The world is mostly beautiful and I have tried to add a bit of beauty to it. My involvement in art for most of my life has brought me pleasure and solace, and I have been grateful for the gift.

I have been blessed with length of days, generally good health, family and friends, and thanked God for all of it every day of my life. Most blessed was I with grandchildren—my arrows into the future.

I do not fear death, that final, inevitable chapter which is a part of life, the endless circle. I have enjoyed my stay in this world but do not regret my leaving to return to whence I came. I have faith that the Creator of All (of which I am but a tiny part) has yet another purpose for having created me.

I give thanks to all my loved ones for having been a part of my life.

My daughter, my mother, and me, on the occasion of my mother’s 101st birthday

Up Country, by Nelson DeMille

Up Country

I just finished reading Nelson DeMille’s Up Country upon the strong recommendation of my mother. She and I have both read others of DeMille’s books and enjoyed them quite a bit, so picking this one up didn’t require too much persuasion. And I’m glad I did. This is the review that I just posted on Goodreads.

My rating: 5 of 5 stars

I am a member of Nelson DeMille’s generation. But when he served in Vietnam, I protested the war there. It was only much later that I developed an interest in Vietnam, not as the site of an earlier, deadly war, but as the home of a culture that went back centuries. I just visited Vietnam about a month ago, and by coincidence happened to pick up DeMille’s book Up Country after I returned. It was fascinating.

The Vietnam DeMille portrays, some twenty to twenty-five years after the end of the war, is on a kind of a cusp–recovering from the war, but still also hurting. His characters are from a generation–DeMille’s generation and mine–that is now only a tiny percentage of the country’s population. The Vietnam I visited, some twenty to twenty-five years after DeMille did, is a very young, and very different, country. That made DeMille’s slice of Vietnam history all the more fascinating. The bomb craters are still there, and the ruination of historic sites still evident, but DeMille brings these facts to life.

On top of that, he weaves a gripping and tense thriller that is hard to put down. The characters are quite enjoyable. The protagonist is hard-boiled, smart, and funny; and the sidekick is a smart, competent woman. I don’t think the romance aspect of the book is as strong as the thriller aspect, and the “love” the characters develop for one another is not entirely convincing. But Up Country never pretended to be a romance, so I don’t think it’s fair to hold that one weakness against it. Five stars for a fascinating and intense read.

View all my reviews

The Tomb of Khai Dinh

Khai Dinh was the twelfth emperor of the Nguyen dynasty in Vietnam, reigning from 1916 until his death at age forty in 1925. He was selected by the French who then controlled Indochina to become emperor after the death of his father’s two successors. Both of these were independent-minded, and the French believed Khai Dinh would be the easiest member of the royal family to control. Indeed, it is generally understood that he was a puppet figurehead of the French. He took the name Khai Dinh upon ascending to the throne. It means “auger of peace and stability.”

In 1920, Khai Dinh began construction of his own tomb–something of a tradition among Viet rulers. It took eleven years to complete, finally finished by Khai Dinh’s son Bao Dai in 1931. The high taxes Khai Dinh imposed upon his people in order to build his tomb greatly increased his unpopularity with his people.

The tomb is built on several levels on a steep hillside, with each space building up to the lavishly decorated tomb itself on the top level.

Inside, every surface is ornamented. Columns and walls are decorated with porcelain mosaics in both Oriental and French motifs. The ceiling is painted with dragons.

The tomb itself, surmounted with a likeness of the emperor, is dramatic and impressive.

Hue’s Dong Ba Market

Vietnam, one of our guides told us, is communist on a large scale, but on a small scale–capitalist at its heart. The people of Vietnam have embraced capitalism. You can see it in action at the Dong Ba Market.

Individual vendors have their own stalls where each sells his or her own specialty. You want food? Fresh? Dried? Dine-in? To-go? No problem . . .

But don’t think the market is limited to food. Here you can find everything from gilded buddhas to plastic bottles.

Me? I’ve been hankering after a pair of those practical plastic-and-straw flipflops you see everyone wearing around here.

Bargaining is de rigueur. I negotiate a price half of what the seller is asking. This is normal.

The shoes I try on are a bit small. The next larger size is a better fit. But now the vendor wants more because the sandals are bigger!

No way! My honor is at stake here. I hold out the amount we already agreed on. She hesitates and then . . . takes it. My market experience is complete.

Finally, here by special request, is (oh, I sincerely hope) a puzzle for you!

https://im-a-puzzle.com/#/play?ref=user/look_i_m_a_puzzle_14114&fromLink=myPuzzle