Writing Alien Son

Like my other books, Alien Son is science fiction, with more than a hint of romance.

It’s set in the same world as Saving Aran, and those of you who have read that book will recognize some of the characters. You may remember that there was a mystery in Saving Aran that was not resolved in that book: How can it be that there are humans on both Earth and Aran? These are people so genetically similar that they can interbreed. The odds they would evolve independently on two planets light-years apart are miniscule, like the odds that simple Brownian motion would suddenly lift your entire desk up into the air. Yet, though scientists have searched both planets for any archaeological or other evidence of any kind of alien contact in the past, there is nothing that can explain the existence of these two entirely separate human populations.

There’s also an unresolved personal mystery in Saving Aran. Cort’s father is no longer around. His mother tells him his father “went to Earth.” Does she mean that literally, that he somehow managed to get aboard one of the Earthers’ starships and literally fly to planet Earth? In the slang of the city where Cort grew up, the phrase “went to Earth” is a euphemism for dying. It seems more likely his father died than somehow managed to get to Earth. In the khenaran–the ancient forest–those who die are reborn, but the wise whynywir, who know everything about the planet, have no information about Cort’s father. Is it possible he really did fly to Earth?

Alien Son answers both of these questions. And way more, besides. Best of all, there’s no need to read Saving Aran first. Instead, you can read Alien Son first as a completely stand-alone book, and then later, if you wish, enjoy Cort’s back story.

In Alien Son, we meet Mikel, half Earther and half Arantu, the much-younger son of Cort’s father. The son born on Earth with an Earther mother. The son who is driven to pursue some great accomplishment in his life that will be worthy of his martyr father’s heroic efforts to save Aran from Earther exploitation.

We also meet Aiana, a historian from the far-distant future, who is using time travel based on technology-enhanced lucid dreaming to seek out a historically significant personage from Earth’s past (as she sees it). She finds Mikel on Aran. He’s the one she is looking for, but he has no intention of returning to Earth. Yet he must, for history has already been written. How can she get him to fulfill his destiny, even if it means his death? Worse, her dreaming self is getting harder to control. She’s falling in love with the man.

Time travel, it turns out, is incredibly hard to write. My future could be your past, and both of these might be different from an objectively drawn timeline. There is a very large time loop in Alien Son, spanning millennia of objective time. At any point in the story, the two protagonists know very different things because they’ve been in different objective times at different subjective times.

Finally, I had to draw a flowchart to keep it all straight, and to make sure the time-twisted story is actually self-consistent. I’ve shown this flowchart to a few people, but never publicly, not until now. You are seeing it first, here.

Spoiler alert! If you prefer to enjoy your surprises in the twists and turns of the book, scroll down no further! You can buy the book (or read for free on Kindle Unlimited) here.

Alien Son time loop

Saving Aran, my newest book

I started writing Saving Aran about thirty years ago, and I’ve re-written it a few times since. It wasn’t my first book. I thought at the time that it was, in fact, my best book ever. I’d written maybe half a dozen YA books before it. Most of them starred a reality-shifter named Roderin, and all were enjoyed by my son, then in grade school, and some of his cousins–and not too many other people. I was too busy to publish. A mistake, I now see, but I was working fifty-hour weeks, including some travel, and raising two children. I didn’t want to take on a second job.

And honestly, I still don’t really want to be taking on this job of publishing. I want to keep writing new books, but I do also want to get this book into your hands and those of people everywhere who might enjoy a good science-fiction action adventure story.

Three images of the cover of Saving Aran, in a book, on an e-reader, and on a phone.

What’s it about?

It’s about perseverance and keeping promises. A city boy named Cort on the planet Aran whose best friend is abducted and sold to the aliens from Earth will stop at nothing to find and free her. When his first rescue attempt fails, he embarks on a journey to gain the skills and the help he needs to try again and succeed.

It’s about never giving up hope. Emprisoned on the aliens’ base, Cort’s friend Dilia continues to believe he will rescue her if he can. But maybe he can’t. Dilia girds herself to make the most of her time there. She learns much from the Earthers about the medicinal plants of Aran, while ever on the look-out for a way to escape.

Most of all, it’s about understanding that we are a part of a planetary ecosystem–a community larger than our neighborhoods and cities and even our nations. In Aran’s primeval forests, Cort begins having nightmares–the deep dreams of the trees that the aliens are destroying, upsetting the balance of life on the planet. And he will do what he must to protect them.

Is it really, finally finished?

Saving Aran has been through probably at least half a dozen re-writes, some of them substantial. It’s been edited and re-edited by my then-agent and still-friend Jim Frenkel. I think it’s really well done, a timeless story of biological and spiritual entanglement, and of love, completely worthy of the bold cover created by Deranged Doctor Design.

Here is a small excerpt from Saving Aran. Enjoy!

Between where they stood and the village, the forest opened up, and on a slight rise stood a man. He was of middle age, his black hair salted with grey. His vest was beaded in light and dark blue, and blue beads adorned the fringes of his dark pants. When he turned toward them, a blue crystal at his temple flashed in the sunlight. A seer!

The man stood straight and tall, his hands loosely holding a staff that extended from the ground to well above his head. Alternately rough and smooth, the staff had a slight bend as if it reached for something, and green leaves adorned a cluster of sprigs at its top. The wood of the staff gleamed in a rainbow of colors. It was the largest piece of worked khena wood Cort had ever seen.

Neder glanced at Cort, then nodded slightly as if acknowledging something someone had said to him. “It’s Tirei,” he said. “He’s the headman of my village, and a seer. He’s the one you’ll need to talk with about becoming a hunter.”

Neder set off down the hill. Cort followed him, his heart lifting, now that the end of his mission was finally in sight.

When they reached the older man, Neder introduced Cort. Tirei greeted him politely, and Cort managed a polite response, but he could barely tear his gaze from Tirei’s staff, which seemed to glow with a special light. Seen this close, it was even more remarkable than from a distance, dancing with sparks of an inner fire. His hand twitched with the desire to reach toward it.

“It is living wood,” Tirei said, following Cort’s gaze. “Would you like to touch it?”

‘Living wood’ was a good name for it. Colors and patterns swam like fish in its translucent grain. Cort didn’t trust himself to speak. He swallowed hard and nodded.

Tirei spread out his hands on the staff to open a large space between them. “Go ahead,” he said, with the kind of encouraging nod he might give to a small child trying something for the first time.

Cort stretched out his hand and took hold of the staff, then gasped in astonishment. The wood seemed alive in more ways than one. It was as if the staff had actively taken hold of his own hand. It was warm, and Cort could feel its strength. Vitality flowed down his arm and seemed to send sparks inward to his heart. He felt he had the power to do anything, to rescue Dilia, to succeed. His other arm felt weak by comparison, and so he placed his other hand on the staff just above the first. The feeling was utterly exhilarating.

“How do you ever put this staff down?” he said.

“It’s not difficult,” Tirei answered. Cort met the seer’s eyes. They were a soft, light brown, and his expression was filled with something serious, like sorrow or sympathy. “With the staff of the living wood comes great responsibility. Sometimes it’s good to put such responsibility aside.”

As had happened too often since he came to this forest, Cort failed to understand. His face must have betrayed his confusion, for the seer added, “While we hold this staff together, neither you nor I can lie to the other, and we will hold onto it until the staff lets us go. Now listen to me. I am Tirei-sunar of the clan of the hawk, instrument of the whynywir, seer, head of this village, and the father of five. I have lived here my entire life. Now tell me about yourself.”

“My name is Cort.” Cort felt terribly self-conscious. “I am city-born and clanless.” He lifted his chin slightly as he spoke, defying the seer to reject him. “I don’t live in the city anymore. I don’t know where I live. And, Tirei, even without the staff I wouldn’t have lied to you.”

Tirei nodded. “I know that—now. But without the staff, I wouldn’t have been sure. Now tell me about your name.”

“My name? But I already told you,” he said. “It’s Cort. I was named after my father.”

“But ‘Cort’ is not a forest name,” said the older man.

“No, I guess not. Why should it be? I’m not a forest person. His name was something else. Longer.”  Cort frowned, trying to get it just right. “Something like Cort-anaran—and so is mine. But no one wants to deal with a long name like that, so no one ever calls me that.”

The older man’s eyes went distant for a moment, as if he were considering something complicated. After a moment of silence, he asked, “Corodh-an-Aran?”

“What?” Cort tried to move his hands to a more comfortable position, but they were as stuck as if they had been glued to the staff.

“Could his name have been Corodh-an-Aran?”

“Yes, I guess that sounds about right. The way you forest people pronounce the old words is a bit different from how we say them in the city.”

“More correct,” said Tirei.

“I guess. Yes, probably; that would make sense.”

Corodh-an-Aran.” The older man drew out the syllables like a benediction.

“Does it mean anything to you?”

“You don’t know what it means?” 

“Should I?”

The seer sighed. “‘Corodh’ is a fine old word but it’s fallen out of common usage. You might say, ‘justice,’ but that’s not exactly right. It has the flavor of being what one is meant to be, doing what one is meant to do, having what one is meant to have. The rightness of things, and also setting things right. A good word. ‘An’ and ‘aran,’ you probably know. Of the forest, or for it. This whole world.”

“Setting things right for Aran? For our world?”  The idea pleased Cort. He stood a little straighter.

“Yes, that’s part of it. The forest being and having what she is meant to have. The one who makes sure that happens. Who sets things right for our world.”

Cort smiled. “I like that,” he said. Then, after thinking about it, he added, “Still, it’s only a name.”

“An ancient one,” said the seer. “A good one. And why have you come here, Cort?

“To become a hunter, like Neder.”

Tirei raised a quizzical eyebrow and glanced at Neder. Standing at Cort’s side, almost out of the range of his sight, the hunter nodded. “But why?” the seer asked.

“To save my friend Dilia, who is like a sister to me,” Cort replied. “More than a sister. My father and mother are dead. My home has been burned down. But Dilia is in the city or on the base somewhere, captive, and I intend to rescue her. It’ll be dangerous. I can’t do it alone. I’ll need a kiri.” He swallowed and added, “Probably no one’s ever hunted in the city before, but I intend to do it, and I’ll succeed, too. And—I didn’t know this at first, but now I do—when I’ve rescued Dilia, I want to bring her back here to the khenaran, and I still want to be a hunter then.”

“This will be decided by the whynywir,” said the seer.

It wasn’t quite a rejection, but it was far from the agreement Cort would have liked. “I understand that, but you’re a seer! You talk with them directly, so you must have some influence with them. Will you help me?”

Again Tirei exchanged glances with Neder. Then he gave Cort a slight, sad smile,  suddenly looking weary. “I will do what I feel is right for you, Cort-anaran. For you and for all of Aran.”

Arisia

My experience with cons is growing by leaps and bounds. Arisia is now the fourth con I’ve attended. (The others were Balticon in (guess where!) Baltimore, Readercon in Boston, and Worldcon–the granddaddy of all cons–a roaming con that in 2009 was in Montreal). They all have certain characteristics in common, but each definitely has its own flavor. Arisia is definitely the most crowded, and kept getting more so as the day turned into evening. This corridor was typical:

There were more sessions having to do with sexuality than I’ve seen before (“Swinging vs. Polyamory”, for example, or “Home Depot in the Bedroom”–a whole new way of looking at Home Depot). And ever so many sessions on diversity in SFF (or, presumably the general lack thereof and need for more). In Boston, I deduce, we are modern Victorians, politically correct on the surface and simmering between the sheets.

Best of all, there were more costumes per capita than I’ve seen before. And some of them were pretty amazing. I will confess to being disconcerted for a moment when I came across a very realistic (and charming) Frodo in the ladies room. But costumes have their perils, and so both the escalators and the glass elevators bore large signs:

You probably can’t read the hand lettering at the bottom of the last sign; someone thoughtfully added, “or kilt”. And in fact I’d say that far more kilts were in evidence than short skirts.

The sign just above “Watch your skirt” is an invitation to my friend Danielle Ackley-McPhail’s launch party Sunday night from 8 to midnight for her new book The Halfling’s Court. It’s a biker faery book (yes!). She did a reading from it today, and it was terrific! If you’re in Boston and like fantasy, check it out! It’s not an official con event, so I don’t think you’ll need a badge to get in. (But, hey, while you’re there, check out the con, too!)

Watchmen

“Who’s watching the Watchmen?” Dan and I are… finally… that’s who. What’s odd about this is that Dan is watching. Avidly.

Dan is not a fan of speculative fiction. He’s never picked up anything that might be called a “graphic novel”. He has little tolerance for the fantastical. Science fiction leaves him cold.

But he likes good design and he likes action. And Watchmen has these in abundance. Despite its bleak mood and noir atmosphere, it is an “up” movie. It’s hard to know, sometimes, whether we are watching the plot, the effects, or the sheer beauty of the film.

Dan won’t say he likes this movie. In fact, he doesn’t have much to say about it at all. But he was on the edge of his seat. I was the one watching the watching man. He was glued to the screen for two and three quarters hours, about as long as I have ever seen him sit still.

That movie was good!

Time to move on

Dan and I are driving to Montreal, where I will be going to Worldcon 67 (Anticipation 2009), and Dan will be hanging out partly working and partly on vacation. We cross the Merrimac River, and Dan says, “Did you know there used to be salmon on the Merrimac River?”

“Well, I’m not surprised,” I say. “The lobster in the ocean used to be so plentiful that they washed up onto the beaches. They fed lobster to the prisoners in the jails so frequently that the prisoners sent a petition to King George begging him to make them stop.”

“Let’s face it,” says Dan. “The planet isn’t what it used to be.”

No, it isn’t. “It’s going downhill fast,” I say, letting my pessimism get the better of me. “Time to move on. Time to get that colony ship ready to voyage out to the next planet.”

“I’ll be the first to volunteer,” says my science-fiction-averse husband.

Whoa.

Wasn’t there an article recently in The Boston Globe Magazine in which the author opines that “The baby boomers are the first generation that will… actually live too long. By refusing to expire after a reasonable number of years, the boomers are threatening the social order”? In arguing that the average lifespan of generations ago was in the forties meant that people in their forties were old, the author has succumbed to a common misunderstanding. She has overlooked the fact that over a third of the population died in infancy, in childhood, and in childbirth. And in war. It was not unusual for those that survived these catastrophes to live into their seventies or eighties or longer. But the author puts forth an argument that may be only too popular among the younger generations: The old folks have been around too long. Time to find a graceful, civilized way to get rid of them.

Well, young lady, this is your chance. We can solve the problem of the Earth on her last gasp and the overpopulation of healthy boomers growing older in one single, visionary stroke: Just pack us up in a space ship and send us off.

Hey, maybe a lot of us will go.

We baby boomers get a virgin planet where lobsters wash up on the beaches, and you get to deal with this dying Earth. Do you think you might actually do something about it before the human cancer kills the whole planet? Somehow, I don’t think so. Maybe it’s already too late.

And worse: Wouldn’t it be just like us to ruin the next planet, too?

Being where you are when you’re being there

The protagonist of many of my early fiction stories, a young man named Roderin, had the ability to Shift from one reality to another. I grew up wishing I had this talent. At heart, I didn’t want to have to inhabit the reality I was in – a characteristic that perhaps many readers (and writers) of fantasy stories share.

In the world of my bickering parents, I learned early and learned well how to get by while actually being there as little as possible. I read. When I ran out of horse stories in my branch library, I fled to the stars. When I ran out of astronomy books, I turned to fantasy and science fiction. I was light years away all the time. Alternative universes were even better.

My personal reality is a lot better now, and I don’t mind inhabiting it. Most of the time. But I can still walk down a path on a beautiful Florida campus, surrounded by grass and flowers, water vistas and gracious white buildings shining in the warm February sunshine, and feel within myself the potential to be someplace else.

Or at least, not to be here.

Not completely.

If I were Roderin, all it would take would be a focused act of will and an acceptance of a small wave of nausea that passes quickly enough. There’s always a price, after all. It’s not too bad as long as the price is not too steep.

But that’s the catch, isn’t it? For the possibility of what existence in what world in all of the heavens would I be willing to give up this world’s long-legged daughter for whose sake I am walking this campus path?

I guess I’m going to stay right here.