Mightier Than Magic: Alaric meets the Mouse

Here’s a small excerpt from my latest book Mightier Than Magic. I hope you enjoy it.

The door opened tentatively, and only wide enough for a wisp of a girl to peer in from the threshold. She gripped the edge of the door so tightly that her knuckles were white. She’d probably bolt if he frowned at her. Hadn’t he seen her before? He tried to make his expression pleasant.

“Leave the door open,” the guard warned.

“Yes, sergeant,” the girl said almost inaudibly. She nudged the door open a bit wider and took a small step. Now he recognized her—the girl from the banquet hall last night. She’d called the queen Mother, but she didn’t act like the other princesses. She wasn’t much to look at either, all shrunk into herself, maybe fifteen years old. The cut of her clothing suggested nobility, but the costly fabric was dyed an unassuming shade of dull brown, a color that nearly matched her long, straight hair.

Her eyes were pretty, though, somewhere between green and brown, with long, arched brows. Her generous mouth promised a hint of more boldness than all the rest of her put together. This was a surprise, and an enticing one. Alaric smiled.

The girl relaxed. Slightly.

“Your Majesty.” Her voice barely carried across the small room. “My mother the queen has asked me to visit you. To thank you. In person . . . for last night. And to . . . to see if you need . . . anything.”

“What, you?” He’d meant that it seemed strange to send a princess on such an errand, when a servant might do. But the instant the words escaped his mouth, he realized it was the wrong thing to say.

The girl’s cheeks flushed pink. She shrank against the door jamb and wrapped her chest in her arms. The protective gesture accentuated her womanly shape.

Alaric couldn’t help but notice, and his own face flushed with embarrassment. He raised his estimate of her age. She must be seventeen or eighteen, almost as old as he was, and he’d implied . . . “I’m sorry.” He couldn’t remember the last time he’d apologized to anyone. “I didn’t mean that the way it must have sounded. I only meant that if the queen is your mother, you would be an unlikely serving maid.”

He offered his best smile, well aware that sometimes people trembled when he smiled. And with reason. He hoped that now he would appear welcoming rather than frightening. “Please,” he said, rising and motioning to the chair, which he held for her as if she were a lady being seated for dinner.

“No, thank you,” she said. “There’s only the one chair, and I wouldn’t . . . I couldn’t make you stand while I . . .”

The room he’d been given was clean enough, and light streamed through its narrow window. But it was tiny and pressed in too closely. There was only the one chair, a narrow bed pushed against the wall, and a small table barely wide enough to hold two books side by side. “I can sit on the bed,” he said, then felt his face grow hot. The bed. Not a piece of furniture that should have been on display to this visitor, and he was sorry to have mentioned it. He cursed the room for its meagerness and himself for a fool.

But his guest appeared not to notice the implications. “Oh. Yes, of course.”

He held the chair as she sat, and then settled his tall frame onto the low bed. He avoided watching her too directly—her worried face, her hunched figure—as she fidgeted with her hands.

He waited.

“That was very kind, Your Majesty, what you did last night,” she said at last. She nibbled at a thumbnail, watching him from the corner of her eyes.

She was not as plain as she’d first appeared. Her skin was porcelain and clear, her face heart-shaped and perfectly proportioned. Though her nails were bitten to the quick, she had long, delicate fingers. But why so timid? And why had she not been invited to the dinner?

“Please, call me Alaric.” He spoke as gently as he could. “What’s your name?”

She hunched inward a little more and again wrapped her arms around herself. “Mouse.” Her voice was only a hair’s breadth above a whisper.

“Mouse? It’s . . . an unusual name.”

“That’s just what people call me.”

He could understand why. But he said, “Is that what you want me to call you?”

She didn’t answer.

“What’s your real name?” He attempted the friendliest expression he could muster. He was afraid this timid young woman might bolt like a deer scenting a wolf. He didn’t want her to bolt. He could use an ally, even one as unlikely as her, in Queen Claudia’s hostile court.

“Alicia Aurelia Katrina Emilia.” She raised her chin and straightened a little.

This time his smile was genuine—amusement at the string of names that stretched longer than his room was wide. “And how would you like me to call you, Alicia Aurelia Katrina Emilia? If I needed a glass of water and I had to ask you for it, I might die of thirst before I’d quite gotten all that out.”

She smiled shyly back at him. Fear still hovered around her eyes, but her face lit up. “Katie,” she said. “Call me Katie.”

Alaric’s heart catapulted. In the instant of her smile, she was radiant. She’d been wearing an expression of fear and worry so deep-seated that it masked her beauty. “And remember, you may call me Alaric. Please.”

Here was a person who was extremely competent at projecting her insignificance. He wondered if magic was involved.

Writing Alien Son

Like my other books, Alien Son is science fiction, with more than a hint of romance.

It’s set in the same world as Saving Aran, and those of you who have read that book will recognize some of the characters. You may remember that there was a mystery in Saving Aran that was not resolved in that book: How can it be that there are humans on both Earth and Aran? These are people so genetically similar that they can interbreed. The odds they would evolve independently on two planets light-years apart are miniscule, like the odds that simple Brownian motion would suddenly lift your entire desk up into the air. Yet, though scientists have searched both planets for any archaeological or other evidence of any kind of alien contact in the past, there is nothing that can explain the existence of these two entirely separate human populations.

There’s also an unresolved personal mystery in Saving Aran. Cort’s father is no longer around. His mother tells him his father “went to Earth.” Does she mean that literally, that he somehow managed to get aboard one of the Earthers’ starships and literally fly to planet Earth? In the slang of the city where Cort grew up, the phrase “went to Earth” is a euphemism for dying. It seems more likely his father died than somehow managed to get to Earth. In the khenaran–the ancient forest–those who die are reborn, but the wise whynywir, who know everything about the planet, have no information about Cort’s father. Is it possible he really did fly to Earth?

Alien Son answers both of these questions. And way more, besides. Best of all, there’s no need to read Saving Aran first. Instead, you can read Alien Son first as a completely stand-alone book, and then later, if you wish, enjoy Cort’s back story.

In Alien Son, we meet Mikel, half Earther and half Arantu, the much-younger son of Cort’s father. The son born on Earth with an Earther mother. The son who is driven to pursue some great accomplishment in his life that will be worthy of his martyr father’s heroic efforts to save Aran from Earther exploitation.

We also meet Aiana, a historian from the far-distant future, who is using time travel based on technology-enhanced lucid dreaming to seek out a historically significant personage from Earth’s past (as she sees it). She finds Mikel on Aran. He’s the one she is looking for, but he has no intention of returning to Earth. Yet he must, for history has already been written. How can she get him to fulfill his destiny, even if it means his death? Worse, her dreaming self is getting harder to control. She’s falling in love with the man.

Time travel, it turns out, is incredibly hard to write. My future could be your past, and both of these might be different from an objectively drawn timeline. There is a very large time loop in Alien Son, spanning millennia of objective time. At any point in the story, the two protagonists know very different things because they’ve been in different objective times at different subjective times.

Finally, I had to draw a flowchart to keep it all straight, and to make sure the time-twisted story is actually self-consistent. I’ve shown this flowchart to a few people, but never publicly, not until now. You are seeing it first, here.

Spoiler alert! If you prefer to enjoy your surprises in the twists and turns of the book, scroll down no further! You can buy the book (or read for free on Kindle Unlimited) here.

Alien Son time loop

Saving Aran, my newest book

I started writing Saving Aran about thirty years ago, and I’ve re-written it a few times since. It wasn’t my first book. I thought at the time that it was, in fact, my best book ever. I’d written maybe half a dozen YA books before it. Most of them starred a reality-shifter named Roderin, and all were enjoyed by my son, then in grade school, and some of his cousins–and not too many other people. I was too busy to publish. A mistake, I now see, but I was working fifty-hour weeks, including some travel, and raising two children. I didn’t want to take on a second job.

And honestly, I still don’t really want to be taking on this job of publishing. I want to keep writing new books, but I do also want to get this book into your hands and those of people everywhere who might enjoy a good science-fiction action adventure story.

Three images of the cover of Saving Aran, in a book, on an e-reader, and on a phone.

What’s it about?

It’s about perseverance and keeping promises. A city boy named Cort on the planet Aran whose best friend is abducted and sold to the aliens from Earth will stop at nothing to find and free her. When his first rescue attempt fails, he embarks on a journey to gain the skills and the help he needs to try again and succeed.

It’s about never giving up hope. Emprisoned on the aliens’ base, Cort’s friend Dilia continues to believe he will rescue her if he can. But maybe he can’t. Dilia girds herself to make the most of her time there. She learns much from the Earthers about the medicinal plants of Aran, while ever on the look-out for a way to escape.

Most of all, it’s about understanding that we are a part of a planetary ecosystem–a community larger than our neighborhoods and cities and even our nations. In Aran’s primeval forests, Cort begins having nightmares–the deep dreams of the trees that the aliens are destroying, upsetting the balance of life on the planet. And he will do what he must to protect them.

Is it really, finally finished?

Saving Aran has been through probably at least half a dozen re-writes, some of them substantial. It’s been edited and re-edited by my then-agent and still-friend Jim Frenkel. I think it’s really well done, a timeless story of biological and spiritual entanglement, and of love, completely worthy of the bold cover created by Deranged Doctor Design.

Here is a small excerpt from Saving Aran. Enjoy!

Between where they stood and the village, the forest opened up, and on a slight rise stood a man. He was of middle age, his black hair salted with grey. His vest was beaded in light and dark blue, and blue beads adorned the fringes of his dark pants. When he turned toward them, a blue crystal at his temple flashed in the sunlight. A seer!

The man stood straight and tall, his hands loosely holding a staff that extended from the ground to well above his head. Alternately rough and smooth, the staff had a slight bend as if it reached for something, and green leaves adorned a cluster of sprigs at its top. The wood of the staff gleamed in a rainbow of colors. It was the largest piece of worked khena wood Cort had ever seen.

Neder glanced at Cort, then nodded slightly as if acknowledging something someone had said to him. “It’s Tirei,” he said. “He’s the headman of my village, and a seer. He’s the one you’ll need to talk with about becoming a hunter.”

Neder set off down the hill. Cort followed him, his heart lifting, now that the end of his mission was finally in sight.

When they reached the older man, Neder introduced Cort. Tirei greeted him politely, and Cort managed a polite response, but he could barely tear his gaze from Tirei’s staff, which seemed to glow with a special light. Seen this close, it was even more remarkable than from a distance, dancing with sparks of an inner fire. His hand twitched with the desire to reach toward it.

“It is living wood,” Tirei said, following Cort’s gaze. “Would you like to touch it?”

‘Living wood’ was a good name for it. Colors and patterns swam like fish in its translucent grain. Cort didn’t trust himself to speak. He swallowed hard and nodded.

Tirei spread out his hands on the staff to open a large space between them. “Go ahead,” he said, with the kind of encouraging nod he might give to a small child trying something for the first time.

Cort stretched out his hand and took hold of the staff, then gasped in astonishment. The wood seemed alive in more ways than one. It was as if the staff had actively taken hold of his own hand. It was warm, and Cort could feel its strength. Vitality flowed down his arm and seemed to send sparks inward to his heart. He felt he had the power to do anything, to rescue Dilia, to succeed. His other arm felt weak by comparison, and so he placed his other hand on the staff just above the first. The feeling was utterly exhilarating.

“How do you ever put this staff down?” he said.

“It’s not difficult,” Tirei answered. Cort met the seer’s eyes. They were a soft, light brown, and his expression was filled with something serious, like sorrow or sympathy. “With the staff of the living wood comes great responsibility. Sometimes it’s good to put such responsibility aside.”

As had happened too often since he came to this forest, Cort failed to understand. His face must have betrayed his confusion, for the seer added, “While we hold this staff together, neither you nor I can lie to the other, and we will hold onto it until the staff lets us go. Now listen to me. I am Tirei-sunar of the clan of the hawk, instrument of the whynywir, seer, head of this village, and the father of five. I have lived here my entire life. Now tell me about yourself.”

“My name is Cort.” Cort felt terribly self-conscious. “I am city-born and clanless.” He lifted his chin slightly as he spoke, defying the seer to reject him. “I don’t live in the city anymore. I don’t know where I live. And, Tirei, even without the staff I wouldn’t have lied to you.”

Tirei nodded. “I know that—now. But without the staff, I wouldn’t have been sure. Now tell me about your name.”

“My name? But I already told you,” he said. “It’s Cort. I was named after my father.”

“But ‘Cort’ is not a forest name,” said the older man.

“No, I guess not. Why should it be? I’m not a forest person. His name was something else. Longer.”  Cort frowned, trying to get it just right. “Something like Cort-anaran—and so is mine. But no one wants to deal with a long name like that, so no one ever calls me that.”

The older man’s eyes went distant for a moment, as if he were considering something complicated. After a moment of silence, he asked, “Corodh-an-Aran?”

“What?” Cort tried to move his hands to a more comfortable position, but they were as stuck as if they had been glued to the staff.

“Could his name have been Corodh-an-Aran?”

“Yes, I guess that sounds about right. The way you forest people pronounce the old words is a bit different from how we say them in the city.”

“More correct,” said Tirei.

“I guess. Yes, probably; that would make sense.”

Corodh-an-Aran.” The older man drew out the syllables like a benediction.

“Does it mean anything to you?”

“You don’t know what it means?” 

“Should I?”

The seer sighed. “‘Corodh’ is a fine old word but it’s fallen out of common usage. You might say, ‘justice,’ but that’s not exactly right. It has the flavor of being what one is meant to be, doing what one is meant to do, having what one is meant to have. The rightness of things, and also setting things right. A good word. ‘An’ and ‘aran,’ you probably know. Of the forest, or for it. This whole world.”

“Setting things right for Aran? For our world?”  The idea pleased Cort. He stood a little straighter.

“Yes, that’s part of it. The forest being and having what she is meant to have. The one who makes sure that happens. Who sets things right for our world.”

Cort smiled. “I like that,” he said. Then, after thinking about it, he added, “Still, it’s only a name.”

“An ancient one,” said the seer. “A good one. And why have you come here, Cort?

“To become a hunter, like Neder.”

Tirei raised a quizzical eyebrow and glanced at Neder. Standing at Cort’s side, almost out of the range of his sight, the hunter nodded. “But why?” the seer asked.

“To save my friend Dilia, who is like a sister to me,” Cort replied. “More than a sister. My father and mother are dead. My home has been burned down. But Dilia is in the city or on the base somewhere, captive, and I intend to rescue her. It’ll be dangerous. I can’t do it alone. I’ll need a kiri.” He swallowed and added, “Probably no one’s ever hunted in the city before, but I intend to do it, and I’ll succeed, too. And—I didn’t know this at first, but now I do—when I’ve rescued Dilia, I want to bring her back here to the khenaran, and I still want to be a hunter then.”

“This will be decided by the whynywir,” said the seer.

It wasn’t quite a rejection, but it was far from the agreement Cort would have liked. “I understand that, but you’re a seer! You talk with them directly, so you must have some influence with them. Will you help me?”

Again Tirei exchanged glances with Neder. Then he gave Cort a slight, sad smile,  suddenly looking weary. “I will do what I feel is right for you, Cort-anaran. For you and for all of Aran.”

Up Country, by Nelson DeMille

Up Country

I just finished reading Nelson DeMille’s Up Country upon the strong recommendation of my mother. She and I have both read others of DeMille’s books and enjoyed them quite a bit, so picking this one up didn’t require too much persuasion. And I’m glad I did. This is the review that I just posted on Goodreads.

My rating: 5 of 5 stars

I am a member of Nelson DeMille’s generation. But when he served in Vietnam, I protested the war there. It was only much later that I developed an interest in Vietnam, not as the site of an earlier, deadly war, but as the home of a culture that went back centuries. I just visited Vietnam about a month ago, and by coincidence happened to pick up DeMille’s book Up Country after I returned. It was fascinating.

The Vietnam DeMille portrays, some twenty to twenty-five years after the end of the war, is on a kind of a cusp–recovering from the war, but still also hurting. His characters are from a generation–DeMille’s generation and mine–that is now only a tiny percentage of the country’s population. The Vietnam I visited, some twenty to twenty-five years after DeMille did, is a very young, and very different, country. That made DeMille’s slice of Vietnam history all the more fascinating. The bomb craters are still there, and the ruination of historic sites still evident, but DeMille brings these facts to life.

On top of that, he weaves a gripping and tense thriller that is hard to put down. The characters are quite enjoyable. The protagonist is hard-boiled, smart, and funny; and the sidekick is a smart, competent woman. I don’t think the romance aspect of the book is as strong as the thriller aspect, and the “love” the characters develop for one another is not entirely convincing. But Up Country never pretended to be a romance, so I don’t think it’s fair to hold that one weakness against it. Five stars for a fascinating and intense read.

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