Mightier Than Magic: Alaric meets the Mouse

Here’s a small excerpt from my latest book Mightier Than Magic. I hope you enjoy it.

The door opened tentatively, and only wide enough for a wisp of a girl to peer in from the threshold. She gripped the edge of the door so tightly that her knuckles were white. She’d probably bolt if he frowned at her. Hadn’t he seen her before? He tried to make his expression pleasant.

“Leave the door open,” the guard warned.

“Yes, sergeant,” the girl said almost inaudibly. She nudged the door open a bit wider and took a small step. Now he recognized her—the girl from the banquet hall last night. She’d called the queen Mother, but she didn’t act like the other princesses. She wasn’t much to look at either, all shrunk into herself, maybe fifteen years old. The cut of her clothing suggested nobility, but the costly fabric was dyed an unassuming shade of dull brown, a color that nearly matched her long, straight hair.

Her eyes were pretty, though, somewhere between green and brown, with long, arched brows. Her generous mouth promised a hint of more boldness than all the rest of her put together. This was a surprise, and an enticing one. Alaric smiled.

The girl relaxed. Slightly.

“Your Majesty.” Her voice barely carried across the small room. “My mother the queen has asked me to visit you. To thank you. In person . . . for last night. And to . . . to see if you need . . . anything.”

“What, you?” He’d meant that it seemed strange to send a princess on such an errand, when a servant might do. But the instant the words escaped his mouth, he realized it was the wrong thing to say.

The girl’s cheeks flushed pink. She shrank against the door jamb and wrapped her chest in her arms. The protective gesture accentuated her womanly shape.

Alaric couldn’t help but notice, and his own face flushed with embarrassment. He raised his estimate of her age. She must be seventeen or eighteen, almost as old as he was, and he’d implied . . . “I’m sorry.” He couldn’t remember the last time he’d apologized to anyone. “I didn’t mean that the way it must have sounded. I only meant that if the queen is your mother, you would be an unlikely serving maid.”

He offered his best smile, well aware that sometimes people trembled when he smiled. And with reason. He hoped that now he would appear welcoming rather than frightening. “Please,” he said, rising and motioning to the chair, which he held for her as if she were a lady being seated for dinner.

“No, thank you,” she said. “There’s only the one chair, and I wouldn’t . . . I couldn’t make you stand while I . . .”

The room he’d been given was clean enough, and light streamed through its narrow window. But it was tiny and pressed in too closely. There was only the one chair, a narrow bed pushed against the wall, and a small table barely wide enough to hold two books side by side. “I can sit on the bed,” he said, then felt his face grow hot. The bed. Not a piece of furniture that should have been on display to this visitor, and he was sorry to have mentioned it. He cursed the room for its meagerness and himself for a fool.

But his guest appeared not to notice the implications. “Oh. Yes, of course.”

He held the chair as she sat, and then settled his tall frame onto the low bed. He avoided watching her too directly—her worried face, her hunched figure—as she fidgeted with her hands.

He waited.

“That was very kind, Your Majesty, what you did last night,” she said at last. She nibbled at a thumbnail, watching him from the corner of her eyes.

She was not as plain as she’d first appeared. Her skin was porcelain and clear, her face heart-shaped and perfectly proportioned. Though her nails were bitten to the quick, she had long, delicate fingers. But why so timid? And why had she not been invited to the dinner?

“Please, call me Alaric.” He spoke as gently as he could. “What’s your name?”

She hunched inward a little more and again wrapped her arms around herself. “Mouse.” Her voice was only a hair’s breadth above a whisper.

“Mouse? It’s . . . an unusual name.”

“That’s just what people call me.”

He could understand why. But he said, “Is that what you want me to call you?”

She didn’t answer.

“What’s your real name?” He attempted the friendliest expression he could muster. He was afraid this timid young woman might bolt like a deer scenting a wolf. He didn’t want her to bolt. He could use an ally, even one as unlikely as her, in Queen Claudia’s hostile court.

“Alicia Aurelia Katrina Emilia.” She raised her chin and straightened a little.

This time his smile was genuine—amusement at the string of names that stretched longer than his room was wide. “And how would you like me to call you, Alicia Aurelia Katrina Emilia? If I needed a glass of water and I had to ask you for it, I might die of thirst before I’d quite gotten all that out.”

She smiled shyly back at him. Fear still hovered around her eyes, but her face lit up. “Katie,” she said. “Call me Katie.”

Alaric’s heart catapulted. In the instant of her smile, she was radiant. She’d been wearing an expression of fear and worry so deep-seated that it masked her beauty. “And remember, you may call me Alaric. Please.”

Here was a person who was extremely competent at projecting her insignificance. He wondered if magic was involved.

Writing Alien Son

Like my other books, Alien Son is science fiction, with more than a hint of romance.

It’s set in the same world as Saving Aran, and those of you who have read that book will recognize some of the characters. You may remember that there was a mystery in Saving Aran that was not resolved in that book: How can it be that there are humans on both Earth and Aran? These are people so genetically similar that they can interbreed. The odds they would evolve independently on two planets light-years apart are miniscule, like the odds that simple Brownian motion would suddenly lift your entire desk up into the air. Yet, though scientists have searched both planets for any archaeological or other evidence of any kind of alien contact in the past, there is nothing that can explain the existence of these two entirely separate human populations.

There’s also an unresolved personal mystery in Saving Aran. Cort’s father is no longer around. His mother tells him his father “went to Earth.” Does she mean that literally, that he somehow managed to get aboard one of the Earthers’ starships and literally fly to planet Earth? In the slang of the city where Cort grew up, the phrase “went to Earth” is a euphemism for dying. It seems more likely his father died than somehow managed to get to Earth. In the khenaran–the ancient forest–those who die are reborn, but the wise whynywir, who know everything about the planet, have no information about Cort’s father. Is it possible he really did fly to Earth?

Alien Son answers both of these questions. And way more, besides. Best of all, there’s no need to read Saving Aran first. Instead, you can read Alien Son first as a completely stand-alone book, and then later, if you wish, enjoy Cort’s back story.

In Alien Son, we meet Mikel, half Earther and half Arantu, the much-younger son of Cort’s father. The son born on Earth with an Earther mother. The son who is driven to pursue some great accomplishment in his life that will be worthy of his martyr father’s heroic efforts to save Aran from Earther exploitation.

We also meet Aiana, a historian from the far-distant future, who is using time travel based on technology-enhanced lucid dreaming to seek out a historically significant personage from Earth’s past (as she sees it). She finds Mikel on Aran. He’s the one she is looking for, but he has no intention of returning to Earth. Yet he must, for history has already been written. How can she get him to fulfill his destiny, even if it means his death? Worse, her dreaming self is getting harder to control. She’s falling in love with the man.

Time travel, it turns out, is incredibly hard to write. My future could be your past, and both of these might be different from an objectively drawn timeline. There is a very large time loop in Alien Son, spanning millennia of objective time. At any point in the story, the two protagonists know very different things because they’ve been in different objective times at different subjective times.

Finally, I had to draw a flowchart to keep it all straight, and to make sure the time-twisted story is actually self-consistent. I’ve shown this flowchart to a few people, but never publicly, not until now. You are seeing it first, here.

Spoiler alert! If you prefer to enjoy your surprises in the twists and turns of the book, scroll down no further! You can buy the book (or read for free on Kindle Unlimited) here.

Alien Son time loop

The Halfling’s Court

My friend Danielle Ackley-McPhail, whom I have never met, is launching a new book. Strike that “never met” part: We may have said a few words at Balticon a year and a half ago. Or maybe not; in any case, it never got as far as, well, names or anything. We’ve gotten to be friendly through belonging to the same writers’ group and through Danielle’s writer-oriented Yahoo group. I’ve also gotten to be friendly with some of her other friends in these groups, and it feels kind of strange and nifty to have a circle of friends whom I like but have never met.

The new book is called The Halfling’s Court, and it sounds like a good read. I’ve read some of Danielle’s other books, Yesterday’s Dreams and Tomorrow’s Memories, and I enjoyed them very much. Danielle is good with characterization and descriptions and doesn’t draw back (as I do) from blood and gore, either. The Halfling’s Court, like the other two, blends hard modern times and the Land of Fae. Danielle mixes them well and pours a pleasant tale.

The Halfling’s Court will be launched officially at Arisia in Boston in January, but it’s already hit the ground running (er, hit the air flying?), with a listing in amazon.com and reviews starting to come in.

What an exciting time for a writer! I wish her so much success!