This is the last post on human figures on Prague’s buildings, I promise. (Though not the last on other aspects of Prague’s buildings, to come.)

You may remember the courtly gentleman and lady in yesterday’s post. Today, we have a pair of farmers near the top of this much-painted building.

Here are some close-ups.

I’m sure there’s some allegorical significance in the figures on the next building. The man on the left appears to be holding a hammer; the woman on the right is holding a basket, perhaps for harvesting. But what to make of the central figure? She wears a crown and carries a sword, and the infant beside her has a shield. (Don’t look at me; I’m just the reporter.)

I’m not going to be much help with the next building, either. Perhaps the central figures are Adam and Eve, with a golden apple. At the left, a young man watches a flight of giant swans; at the right, a young father points out some pretty futuristic buildings to his son.

The next building has a row of pictures all along the roofline…

…but what I really want to show you is the lovely naked people (at first I thought they were angels, but that appears to be fabric, not wings) at the corner…

…and (this is really too much) cute little cherub heads in the stonework just below.

Finally, we come to a building whose figures I do understand. And I can get with its program. I cannot vouch for the Hotel Koruna as a hotel, but it appears to be advertising its Happy Hour…

…with Bacchus presiding up above…

…and one of his Bacchae, somewhat disheveled, carrying a jug of wine just below.